One of the coolest aspects of the BOYC Convention was the wide range of workshops that were offered. I have attended stand-alone workshops before, but the convention was unusual in the sheer number that were offered. Pretty much every aspect of producing ceramic horses was covered, so that attendees could sample what was involved with each step.
These first two pictures were taken during the Custom Glazing Workshop, which was held on Thursday at Pour Horse Pottery. Participants were given their choice of either an Animal Artistry Dartmoor or Friesian Mare. They masked the markings and patterns, and selected the color for Joan and Addi to airbrush. After that the horse was returned to them for detailing.
Here is my roommate Katie Gehrt with the Dartmoor that she was glazing dapple grey. Joan airbrushed the basic color and Katie erased the dapples and painted the details. All the horses were fired and ready to take home on the last day of the show. Joan even supplied boxes and packing material, as well as offering to ship the horses home for anyone that could not carry them. Talk about full service.
That was a workshop for underglazing, which is the method I use to glaze my own work. The other method is china painting, which is completely foreign to me. For that reason I was really looking forward to taking the workshop on China Painting with Karen Gerhardt. I will post about that separately in the future, because it really deserves a separate post.
There was a two-part workshop on restoration that I would have loved to have attended, but fitting a repair victim in my overstuffed luggage was out of the question after I decided that “Elvis” needed to travel with me. There was also a demonstration on how to pour and clean greenware, which was a lot of fun to watch, since I remember that part of my own ceramic education so well! (No one at BOYCC broken nearly as many legs as I did when I was learning.)
But the coolest set of workshops, in my opinion, were done as a pair. On Friday Kelly Savage gave a workshop on sculpting a simple medallion. Throughout the show on Saturday, a small group of folks worked on their medallions. That was because on Sunday, Margaret Olson of MAO Ceramics gave a workshop on simple moldmaking.
Here are some of the participants making plaster waste molds of their medallions.
(And on a completely unrelated note, the woman in the red shirt is Amy Peck. I’ve been privileged to call Amy a friend for many years, but my time at BOYCC gave me a whole new appreciation for the level of organization that Amy has. Much of the messy logistics of the convention were handled by her, and she did so with such competence and grace that I was left in awe.)
Here are four of the medallions ready for the lids to be poured. I especially liked that there was a strawberry daiquiri there in the picture, complete with fruit kabob and drink umbrella. The husband of Elli Heritage-Mench, Gunner, kept the Hospitality Suite stocked with mai tais and daiquiris made from fresh, locally-grown strawberries. (The amber liquid in the cup next to the daiquiri is mold soap – an important distinction to remember while moldmaking!)
This full slate of workshops was the part of BOYCC that had me most intrigued when Joanie first explained the concept. As is probably apparent to anyone who has followed this blog for any length of time, sharing techniques is really important to me, and I would love to see this kind of concept take off within the model horse community. Blog posts and articles can convey a lot of information, but there is nothing like handling the materials in person alongside someone who already knows how to use them. It is certainly true of ceramics, but I also think the same kind of format would work well for the other artisan activities like sculpting, casting, prepping and painting.